The Fujifilm XF16-50mm is Fuji’s latest mid range zoom, launched as a kit lens that's capable of resolving the 40mp resolution on Fuji's X Series cameras. I tested it out for two weeks in the Dolomites
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I took the 16-55mm with me on a recent trip to the Dolomites to put it through it’s paces for landscape photography. Usually I’m not a huge fan of mid range zooms, but I really enjoyed using this lens.
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This is the second video from my recent Dolomites in Winter workshop. I thought it would be interesting to shoot some video during the workshops and then to analyse some of the images that I shot while in the field, and as I wanted to shoot as spontaneously and discretely as possible most of the footage was shot with an iPhone 11 and a DJI Osmo Mobile 3.
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At this time of year I spend a lot of time travelling and leading workshops, and in the past I've not filmed videos during the workshops, but this year I thought it would be interesting to shoot some video during the workshops and then to analyse some of the images that I shot while in the field. I wanted to shoot as spontaneously and discretely as possible, so most of the footage was shot with an iPhone 11 and a DJI Osmo Mobile 3.
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When I first got interested in landscape photography I started to come across images from Tuscany taken by Charlie Waite and it was always a place I wanted to visit. I made my first photography trip there ten years ago in 2009, returning many times over the years to lead workshops, and it never fails to inspire. This year's workshop took place, as usual, in early May when the hills are lush green and the flowers are in bloom and the changeable spring weather brings dynamic light and a good chance of mist in the mornings.
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I’ve been using the Mavic 2 Pro for a couple of months now and it’s a big improvement over the original Mavic Pro, so here’s a brief review and a look at the settings I’ve found which can really get the most out of the sensor.
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I borrowed the Fujifilm X-H1 last month and spent a week shooting with it in Tuscany comparing it with the X-T2, my usual landscape camera. This isn’t an in-depth review of all the cameras specifications and features, rather I focused on the practical differences I noticed between the two cameras while using them in the field.
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Earlier this month I was one of the co-leaders on the Light Explorers' Tuscany In Spring workshop. We spent five days at a fantastic hotel just outside San Quirico d'Orcia with an awesome group of people shooting amongst the gorgeous rolling hills of Tuscany
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Back in the autumn Teresa and I spent two weeks in the Dolomite mountains amongst some of the most beautiful landscapes in Europe. The gateway airport is Venice, a 2 hour drive away from Cortina d’Ampezzo, and it seemed silly to pass through the airport and not spend any time in the city. I’d never actually spent any time there, and Teresa had been there back when she was inter-railing in her 20s, so we booked a few nights in a hotel there after we returned from shooting in the mountains.
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After leaving Val Gardena we headed east, first through Passo Sella which sits between the peaks of Sassalongo and the cliffs of the Sella towers, then following the hairpin roads twisting down the valley, then up again to the Passo Pordoi and down to the village of Arraba
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Back in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.
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After months of work we've finally launched the new Light Explorers Workshop website. Light Explorers is a landscape photography workshop company I run with my two fellow landscape photographers Konstantinos Vasilakis and Kostas Petrakis, and this year we've been putting together four workshops to some truly locations in Italy and Iceland which we'll be running in 2018.
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My first Fuji camera back in 2015 was the X-T10 which I bought at the time with the intention of using as a back up camera to my Nikon D800E. I was immediately impressed with what a pleasure it was to use and how good the image quality was. It also struck me that it was laudable of Fuji to give exactly the same sensor and image quality from their flagship cameras to a lower end model.
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Tuscany is one of those iconic landscape locations I’d longed to photograph since I first saw pictures of it in the first photography books I ever bought. It was one of the first photography trips I ever made back in 2009 and I immediately fell in love with the area. It’s a beautiful rural landscape, all gentle rolling hills, vineyards and medieval hilltop towns, and so I was excited to be heading back there again this spring with two good friends and fantastic photographers Konstantinos Vasilakis and Kostas Petrakis. We’ll be running a workshop there next year, so our plan for this trip was to finalise all the practicalities and ensure that everything we needed was in place, but of course we also intended to do plenty of photography.
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