The second part of my Patagonia trip earlier this year for the fall colour, and in this video I talk about failing to capture an image of Mount Fitzroy that met my expectations in the Argentinian side of Patagonia
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I spent a few weeks last summer hiking the peaks of the Lofoten Islands chasing landscape images in the midnight sun
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This is the second video from my recent Dolomites in Winter workshop. I thought it would be interesting to shoot some video during the workshops and then to analyse some of the images that I shot while in the field, and as I wanted to shoot as spontaneously and discretely as possible most of the footage was shot with an iPhone 11 and a DJI Osmo Mobile 3.
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I love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time
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Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
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I'm really excited to announce that I'll be teaming up with Jonas Paurell of Vagabond Expeditions to run a photography expedition to the Arctic Circle in February next year. We'll be using dog sleds, snow-mobiles and snowshoes to explore Swedish Lapland, meeting the semi-nomadic reindeer herding Sámi communities and experiencing the northern lights in this incredible winter landscape.
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Pretty soon into our trip to Lofoten we realized the sunrises were oftern something special there. The high latitude means that the sun rises quite slowly above the ocean casting it’s light almost horizontally onto the snowy peaks and bouncing off the bottom of any clouds. It really is wonderful.
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Back in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.
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In a country of truly beautiful landscapes, the interior highlands of Iceland offers perhaps the most stunning scenery in the country. Surrounded by glaciers penned in between mountains, it’s a constantly changing alien landscape of black deserts, colourful rhyolite hills, snow-capped mountains, moss covered peaks, crater lakes and plunging waterfalls. After my first trip there 5 years ago whet my appetite I’ve always wanted to go back and explore it more.
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Iceland is one of those countries that must be near the top of most Photographer’s bucket list, it has such a diverse range of incredible landscapes that it’s just a pleasure to go there to shoot. On my first visit about 5 years ago I tried to get around as much of the country as possible, spending a couple of days in the highlands, in the southeast, in the north and in the westfjords. It was a great trip, but Iceland has incredible changeable weather and for large parts of the trip I never saw the sun or had any decent light.
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We were sad to leave Pemuteran. It had been a relaxing four days, but it was time to move on to our next location, Munduk, high in the central mountains of Bali. It's a tiny village surrounded by clove and coffee plantations with rice terraces cut into the side of the hills. The journey from Pemuteran took a little less than an hour and a half, and after we left the town of Seririt we seemed to be constantly rising in twisting roads. The landscape is so green and there is so much water. It's incredibly fertile land and so much grows here.
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Golden Rock on the top of Mount Kyaiktiyo was a place in Burma I was determined to get to as soon as we decided to go to Burma. I'd seen Steve McCurry's photo of it years before and it just fascinated me, and even though it was pretty awkward to get there with the limited time we had in Yangon, I thought it would be worth it.
Of course, to see it at it's best you have to be there for sunset and sunrise, and that means staying overnight at the top, which proved to be easier said than done. There are a couple of small hotels next to the temple site, but before going we'd pretty much exhausted every means we had of booking a room. We couldn't contact them at all via the telephone numbers and email addresses we had for them, but eventually a local travel agent (who we'd originally got in touch with to arrange internal flights) managed to arrange a room for us.
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