Last summer I spent a week exploring some of the most remote parts of Iceland's Highlands. In this video I look at creating images in less than perfect conditions, the thinking behind compositions, and the joy of discovering new places
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I've been to the waterfall at Haifoss many times, but on my last trip there late in the summer I used some hiking apps to explore the area a lot more and find a different perspective on this incredible waterfall. In this video I look at my thoughts and considerations in the field, and in the second part of the video go over my Lightroom editing process for one of the images I captured there
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Iceland is one of those countries that must be near the top of most Photographer’s bucket list, it has such a diverse range of incredible landscapes that it’s just a pleasure to go there to shoot. On my first visit about 5 years ago I tried to get around as much of the country as possible, spending a couple of days in the highlands, in the southeast, in the north and in the westfjords. It was a great trip, but Iceland has incredible changeable weather and for large parts of the trip I never saw the sun or had any decent light.
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The island of Flores is about as far west as you can go and still be in Europe, although technically it's on the American continental plate and moving 2cm further away from the European mainland each year. We landed in lovely sunshine, picked up the rental car and headed across the island to the cottage we'd booked in Faja Grande on the western side of he island. Flores is basically a large plateau, so going anywhere involves driving up and across the top. The road up has some fantastically dramatic scenery, but sadly once we reached the top we couldn't see anything as the cloud had descended so low that visibility was little me then 50 meters. When we reached the other side however we started to descend and as we dropped out of the clouds the views were magnificent. The cliffs are covered in lush vegetation and waterfalls tumbling down to the faja, the flat piece of land between the sea and the foot of the cliffs. It was late in the day and he sun had passed beneath the cloud and was saturating the cliffs in light and colour.
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I've just returned from 25 days in Indonesia, my first trip with Fuji cameras and my first trip without a large dSLR. We traveled the entire length of Java and Bali overland so it was important to me to have a camera that wouldn't feel heavy and cumbersome to carry around, but also one I could completely rely on to produce excellent image quality.
The experience of traveling with Fuji cameras has been a revelation! Not only in how much lighter, smaller and easier to carry around it all is, but how I've not once missed my old Nikon in terms of image quality or autofocus in any of the many situations I've encountered, from fast moving street scenes to dynamically lit landscapes. They've been brilliant, reliable and a consistent pleasure to use.
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The drive from the south east to the north was epic. From the east fjords across the dark volcanic Jokuldalsheidi plains. The weather and light was constantly changing, from overcast clouds, to heavy rain, then snow followed by sunshine, and then rain again.
The landscape was stunning, and like eastern Iceland, I wished we'd planned time to be able to stay here and shoot it. As it was, the photos taken in the middle of the day will have to suffice from this trip, but it's certainly an incredibly beautiful area that I'd love to return to one day.
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