The second part of my Patagonia trip earlier this year for the fall colour, and in this video I talk about failing to capture an image of Mount Fitzroy that met my expectations in the Argentinian side of Patagonia
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Sometimes when visiting locations I’ve been to many times before familiarity or expectation of a scene can make it challanging to see the scene with fresh eyes and come back with new images, so in recent trips to Iceland and Lofoten I’ve been trying a few techniques to try to help me see differently and overcome familiarity.
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Last month I had the opportunity to spend some time deep in the Arctic Circle in Ilulissat, Greenland. Spending time there in winter brought with it some challenges with the extreme cold, but more than anything it was an opportunity to try to put together a portfolio of images that reflected how the place felt.
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I spent a few weeks last summer hiking the peaks of the Lofoten Islands chasing landscape images in the midnight sun
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For as long as I've been taking landscape photographs I've wanted to visit the dunes at Sossusvlei. This year I finally had the chance to take a workshop group to Namibia and experience these incredible landscapes.
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In this video I look at how I set up my camera for landscape photography
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What are the different factors that we should think about when choosing which lens to use for a particular scene, and what are the characteristics of the different focal ranges.
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In this video I look at three things I've learned in landscape photography that I wish I'd learned earlier.
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For this video I look at some of the considerations in the field when composing and shooting telephoto landscapes in the mountains, and then go through the editing workflow of one of my most popular images from last year, taken on a misty sunrise in the Dolomites
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This is the first video from my trip to Iceland this year. This was filmed in the Highlands, a part of Iceland that's difficult to access in winter. Like my previous videos I go through the thought process behind some of the images and explain some of the locations.
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About a year ago I put out a film about the 7 most important things I've leaned in landscape photography, and in that year I've compiled a list of 6 more tips and pieces of advice that I've find myself giving while leading workshops and put them into a new video.
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Whenever we go anywhere to take landscape images, it's pretty much impossible to avoid expectation. We have certain expectations of what a place will be like and what kind of image we'll shoot, but often these expectations affect our appreciation of a scene and hinder our ability to create images there.
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Last month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
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Earlier this month I spent 10 days in Lofoten running a landscape photography workshop with Jonas Paurell from Vagabond Expeditions. Jonas gets to work with lots of incredible photographers like Thomas Heaton and Morten Hilmer and has started a film series where he interviews each one about photography and the creative proces
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The ideas in this video have been buzzing around my head for a while now and this is an attempt to try to identify what it is that compels us to head out into the landscape to make images, and whether an understanding of that can help us to take better photos...or at least images we’re more satisfied with.
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Winter is upon us and in my latest video I look at seven tips, artistic and practical, for taking landscape photography images in winter.
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There are certain tips and pieces of advice that I find myself giving more than anything else during workshops or in response to email enquiries, and in this video I've tried to put them all together.
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Earlier this month I was one of the co-leaders on the Light Explorers' Tuscany In Spring workshop. We spent five days at a fantastic hotel just outside San Quirico d'Orcia with an awesome group of people shooting amongst the gorgeous rolling hills of Tuscany
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