Clear blue skies with no drama are some of the hardest conditions to make impactful images in. I was recently in the Dolomites where we had clear skies most days, and in this video I go through my workflow, from composition to image processing, trying to get the best out of the conditions.
Read MoreIn this video I look at some of the most common errors I see in landscape photography which I often have to remind myself about almost every time I shoot.
Read MoreMountain Photography - Capture to Processing Complete Image Workflow
Read MoreThis is the second video from my recent Dolomites in Winter workshop. I thought it would be interesting to shoot some video during the workshops and then to analyse some of the images that I shot while in the field, and as I wanted to shoot as spontaneously and discretely as possible most of the footage was shot with an iPhone 11 and a DJI Osmo Mobile 3.
Read MoreAt this time of year I spend a lot of time travelling and leading workshops, and in the past I've not filmed videos during the workshops, but this year I thought it would be interesting to shoot some video during the workshops and then to analyse some of the images that I shot while in the field. I wanted to shoot as spontaneously and discretely as possible, so most of the footage was shot with an iPhone 11 and a DJI Osmo Mobile 3.
Read MoreAbout a year ago I put out a film about the 7 most important things I've leaned in landscape photography, and in that year I've compiled a list of 6 more tips and pieces of advice that I've find myself giving while leading workshops and put them into a new video.
Read MoreI love colourful sunrises and sunsets with beautiful warm golden light illuminating the landscape, but when you’ve dragged yourself out of bed in the dark and up a mountain and the weather doesn’t give you what you want, there’s still the possibility to capture stark moody landscapes.
Read MoreI love the Dolomites. The jagged spires and peaks are my favourite landscape to photograph and every time I’m back there I find new inspiration. Photographing these same mountains blanketed in winter snow was something I’d wanted to do for a long time
Read MoreLast month I spent a week or so in the snowy Dolomites mountains and put together this video about shooting an image from capturing the scene to my complete image editing workflow. We weren’t that lucky with the conditions, either having too much wind and driving snow, or completely clear skies with no drama, but landscape photography is usually about taking the scene as you find it and working out how best to shoot and edit a scene to fit the mood of a place.
Read MoreI got the chance to spend two weeks in shooting in the Dolomites with the Fujifilm GFX 50R earlier this month, and here's a video review I put together. Like all my reviews it's in no way technical or focused on specs or comparisons, but instead based on my experiences shooting with the camera and working with it in the field.
Read MoreLight is the raw material of photography and “good light” is something all landscape photographers seek. In this video I take a look at the quality of light at different times of day and in different weather conditions, focusing on the golden hour, the blue hour and overcast light.
Read MoreAfter leaving Val Gardena we headed east, first through Passo Sella which sits between the peaks of Sassalongo and the cliffs of the Sella towers, then following the hairpin roads twisting down the valley, then up again to the Passo Pordoi and down to the village of Arraba
Read MoreBack in the autumn I spent a couple of weeks travelling in the Italian Dolomites, some of the most beautiful mountains in Europe. I’d planned the trip at this time of year as late September/early October is when the trees are starting to turn golden and when the tourist season has passed leaving the trails and many of the more popular locations empty.
Read MoreMy first Fuji camera back in 2015 was the X-T10 which I bought at the time with the intention of using as a back up camera to my Nikon D800E. I was immediately impressed with what a pleasure it was to use and how good the image quality was. It also struck me that it was laudable of Fuji to give exactly the same sensor and image quality from their flagship cameras to a lower end model.
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