Posts in Landscapes
SHOOTING STARS ON LISBON'S WEST COAST - VIDEO

One of the things I’m most excited about doing in 2017 is learning how to use video more. There’s such a massive potential now with so many really portable high quality video cameras on the market, as well as the fact that Fujifilm have well and truly nailed video in their new cameras.

Of course this means learning a whole host of new skills, from shooting video and capturing good audio, to editing the footage and cutting music in. Then there are screen recordings, time lapses, there’s just a lot to learn and it’s going to take a long time till I’ll feel remotely competent.

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LISBON'S WILD COAST

Since I switched to Fuji last summer my passion for just going out and taking pictures again has been completely rekindled. When I first started photography around 10 years ago my first inspiration and images came from the coastline around where I lived.

It was photographing the local coastline that I learned about using a tripod, about long exposures, and about using filters. I loved the energy of the sea, and would head out to the beaches around Lisbon with my first dSLR and try to capture the water moving around rocks. It's a wonderful place for landscape photography, although some of the locations here can be a little challenging to get to. At Cabo da Roca, mainland Europe's most westerly point, a lighthouse sits atop 100 meter high cliffs that are constantly battered by the wind and waves of the Atlantic Ocean.

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BLURRED LANDSCAPE IMAGES - INSPIRED BY DAVID BURDENY

Years ago, before I was even seriously interested photography, I came across David Burdeny's Drift series of images and they really caught my imagination.  Back then I didn't even realise they were photographs, I wasn't sure what they were to be honest, I just loved the simplicity and colour.  There was a clarity and minimalism about them that really appealed to me.

I came across them again years later when I was learning more and more about photography and was fascinated by long exposures of water, another of David Burdeny's specialities.  This time I looked at them with a photographers eye and realised that they were blurred images, and an attempt to capture the essence of a the landscape in as minimal way as possible...just the colour and light with the removal of form.

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SHOOTING A FILM WITH FUJI X PASSION

Back in October I got together with Hugo and Mauricio of Fuji X Passion to make a film about shooting landscapes on the coast of Portugal.  We wanted to make a film that captured the spirit of photography, as well as covering all the practices in the field as well as post processing.  

Despite being pretty unlucky with the weather, which is usually interesting in October, we had a lot of fun shooting at one of my favourite locations, the beach of Praia d'Ouriçal at Portugal's westernmost tip of Cabo da Roca.  It's a tricky beach to access and carrying numerous cameras, a drone, heavy video tripods and 5 or 6 bags down to the beach was a lot of fun, but it's the kind of place that when you arrive it always feels worth the effort.

 We shot the ocean here, looking at how to capture movement in the water and composition, and despite having heavy cloud and little direct light, it's still an atmospheric and fascinating location to shoot.

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FUJIFILM 2017 CALENDAR

I've been so busy with projects recently that I haven't been updating the blog...I haven't even finished editing the Azores photos.  There's lots happening though, quite a few projects that will be coming to fruition throughout next year that need all the seeds planting now.  

In the meantime though, I've just received my official Fujifilm calendar for 2016 from Fuji. It's a massive honour to see my image from Bali on there.  They selected 6 landscape images from all their X Photographers for the A2 sized calendar and mine was chosen for November/December.

Lots more images and news coming soon.

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AZORES PART 4: CORVO

Corvo, oh Corvo. Population 468, the most isolated and small of all the Azores, and a place I'd wanted to see with my own eyes ever since I first saw images of it. Getting there though is not always straightforward.  There aren't daily flights to its tiny airport, and the two boats that go there each day are often cancelled or late due to be weather.  Our boat was a due to leave at 16h30, so we arrived at the harbour a little early only to be waiting until almost 19h before we left.  I did mange to capture some shots and portraits of this gentleman who'd been an inhabitant of Corvo all his life.

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AZORES PART 3: FLORES

The island of Flores is about as far west as you can go and still be in Europe, although technically it's on the American continental plate and moving 2cm further away from the European mainland each year.  We landed in lovely sunshine, picked up the rental car and headed across the island to the cottage we'd booked in Faja Grande on the western side of he island.  Flores is basically a large plateau, so going anywhere involves driving up and across the top.  The road up has some fantastically dramatic scenery, but sadly once we reached the top we couldn't see anything as the cloud had descended so low that visibility was little me then 50 meters. When we reached the other side however we started to descend and as we dropped out of the clouds the views were magnificent.   The cliffs are covered in lush vegetation and waterfalls tumbling down to the faja, the flat piece of land between the sea and the foot of the cliffs.  It was late in the day and he sun had passed beneath the cloud and was saturating the cliffs in light and colour.  

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AZORES PART 2: FAIAL

On our trip around the Azores we'd planned three nights in Faial, mostly because I was fascinated with the view it had of neighboring Pico and its mountain, but we soon realized that it was a beautiful island in its own right.

On our first day there we drove over to Almoxarife, a small village on the coast on the other side of a headland from the capital Horta. It's a reall pretty little town and we spent a large part of the afternoon diving into the sea from the concrete piers with the the locals.  The beaches here are all pretty steep and rocky, and there's something incredibly enjoyable about leaping into the ocean like that.  The water in the Azores is much warmer than in mainland Portugal and in such a hot and humid place it was great to jump in.

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AZORES PART 1: PICO

This year Teresa and I decided that we'd like to see more of Portugal so instead of booking an exotic trip to someone far away we've gone on short trips to different parts of Portugal, from Porto in the winter to Alentejo in the spring. For the summer we decided to spend 10 days travelling around some of the islands of the Açores, a place neither of us had ever visited and didn't really know much about. The Açores is an archipelago of nine volcanic islands pretty much in the middle of the Atlantic Ocean midway between Europe and the USA.  

The first part was planning which islands to visit. São Miguel is the obvious one, but it's also the most touristed and best known.  I spent some time researching the islands and it quickly became apparent that Flores, one of the western most islands, was the one I wanted to photograph most, and next to that is the tiny island of Corvo which also looked stunning.  I also wanted to photography Pico, Portugal's highest mountain, which can also be viewed from the neighboring islands of Faial and Sao Jorge. Both of these islands looked lovely, but as there are direct flights to Faial from Lisbon it made sense to spend some time there. So our final plan saw us flying to Faial, picking up a rental car and then catching a ferry for the 30 minute trip to Pico.

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CARRASQUEIRA - CAIS PALAFITICO

About ten years ago now, not long after I'd first got seriously interested in photography, I made the hour and a half journey down to the small fishing village of Carrasquiera on the edge of the Sado estuary.  I'd seen pictures of the fishermen's piers there, the cais palafita, and wanted to see if I could make a good image there.  Piers are the kind of subjects that work really well with long exposures, so I took a thick neutral density filter and my tripod and arrived just before sunset.  

That evening I was fortunate enough to get some of the best light and colour I've ever seen and took a couple of images that changed my perspective on photography.  In some ways it was the beginning of my photography journey, when I realised how powerful photography could be and how much I enjoyed waiting for the light.

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A FEW DAYS IN ALENTEJO

Alentejo is a large rural area between the industrial heartland of Lisbon and the developed coast of Algarve. We spent five days there over Easter to unwind and spend some time hiking in the countryside.  

We spent the first couple of days in a small town near Sao Luis where we did a few hikes.  The first was through dunes along the coast near Almograve. While we were walking there the light wasn't really conducive to landscape photography, although I did note a few excellent locations for coastal photography and the dunes that I'd love to return to photograph another day.  I did spend some time photographing the flowers and plants that grow in the sand near the sea.  I don't have a macro lens, but with some careful composition and a bit of patience I managed to get a few close ups I was happy with.

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CHAMPALIMAUD FOUNDATION FOR THE UNKNOWN & LISBON PORT AUTHORITY

In the last couple of weeks I've been out to Alges, a superb of Lisbon right next to the river that I wouldn't really associate with shooting landscapes, but there are a couple of interesting locations there, the Champalimaud Foundation for the Unknown and the Lisbon Port Authority building, which I was really interested in photographing.

The Champalimaud Foundation, or "Centre for the Unkown" is a beautiful building next to the river on the outskirts of Lisbon.  I've passed by it on the train hundreds of times but only recently got around to shooting it.  It's a fascinating structure with some interesting architectural aspects and water features.

I always think architectural shots work well with long exposures against and fast moving clouds, and I as we've had a lot of rain recently I liked the idea of being able to include reflections made by the wet stone in the images.

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LOWEPRO PHOTOSPORT 200 REVIEW

The search for the perfect camera bag is one that lasts many photographers years and can cost a fair amount of money.  For a long while I was pretty happy with my Lowopro Primus, which could happily fit my old Nikon D3 along with a wide angle zoom and the 80-400mm.
When I upgraded to a D800 though, I also switched to using a 70-200 f2.8 as my telephoto lens, and all of a sudden my kit wouldn't fit in my bag. It's also a pretty heavy bag so I started looking around for alternatives.

There were quite a few frustrating "this would be perfect if only..." and "this is great, but why didn't they..." moments, but over the last couple of years I've owned a couple of bags that  pretty much ticked all the boxes, the F stop Kenti and the Lowepro Photosport 200, and after using both bags extensively on trips I thinks it's time I got around to reviewing them.  I've also now switched to the considerably smaller Fuji X system so I'll try and write these reviews from the perceptive of a full frame dSLR system and also a smaller mirrorless system.

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INDONESIA PART 6: UBUD

Ubud is the cultural capital of Bali, an artist's town set amongst the rice fields and hills of central Bali. It's a place we planned to unwind and catch some culture like Balinese dancing, and although I had a couple of locations researched I wasn't really planning on much photography here.

One of the things that Ubud has is a wide range of incredibly stylish, sophisticated, but affordable accommodation. We'd booked 5 nights in a place called Alam Indah, on the outskirts of Ubud next to the famous monkey forest. It didn't disappoint, the room was beautiful with great views out over the forest and proved to be a fantastic place to relax (and write this blog). 

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INDONESIA PART 5: MUNDUK

We were sad to leave Pemuteran. It had been a relaxing four days, but it was time to move on to our next location, Munduk, high in the central mountains of Bali. It's a tiny village surrounded by clove and coffee plantations with rice terraces cut into the side of the hills.  The journey from Pemuteran took a little less than an hour and a half, and after we left the town of Seririt we seemed to be constantly rising in twisting roads.  The landscape is so green and there is so much water. It's incredibly fertile land and so much grows here.

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INDONESIA PART 3: BROMO

We were up at 4am the next day again, but this time it was to get us to the early train in to Surabaya from Yogyakarta. Where the journey to Borobudur had taken almost 2 hours with the holiday traffic, the journey back to the station only took 45 minutes and we were there in plenty of time to get some breakfast and find our seats.

The journey took 5 hours and despite dozing a little on the train, I saw lots of the countryside through the window. Lush rice fields with people wearing conical hats, it was a typical rural south East Asian scene that made me wish, as ever, that we'd had more time to explore the area. At Surabaya station we met the driver we'd arranged with the Bromo hotel a few weeks previously. After about 2 hours we turned off the main road and started to head up into the mountains, the air got cooler and our ears started to pop.

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FIRST LANDSCAPES WITH THE FUJI X SYSTEM

It's been about a month now since I picked up a Fuji X-T10, but due to a combination of being busy preparing for a month in Indonesia next week, and how cloudless and uninteresting the skies are in Portugal right now, I haven't had much chance to go out and shoot landscapes with the camera.  It was important to me to try and get the chance though, as I really wanted to be familiar with what the camera can do before I go away.

If you read my last blog you'll know that I'd made my mind up to switch completely over from shooting Nikon to Fuji gear for a whole host of reasons that I wrote about there.  Even so, my plan in getting the X-T10 (rather than the X-T1) was for it to replace my backup camera and to shoot with it alongside my Nikon while in Indonesia, before switching completely when I returned.

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ALTIPLANO PART 4: LAKE TITICACA AND LA PAZ

Flying into La Paz must be one of the most dramatic introductions to a city anywhere! On the short flight from Sucre we looked out of the window at large dusty plain of the Altiplano below us and slowly the outskirts of El Alto, the La Paz suburb which has become a city in it's own right, began to appear.  Then the massive peak of Illumani, the highest mountain in Bolivia, the top of which seemed to reach to the same altitude as our plane, loomed into view.  Then, below us, the streets and buildings of El Alto seemed to disappear over the edge of a cliff beneath the peaks of the mountains and a valley which resembled a crater or a bowl appeared.  Lining the sides of the crater and tumbling all the way to the bottom is the city of La Paz, or Cidade da Nuestra Señora La Paz (City of Our Lady of Peace) to give it it's full name.

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ALTIPLANO PART 1: SAN PEDRO DE ATACAMA

It's been about two months now since we returned from South America, and our trip across the Altiplano from San Pedro de Atacama in northern Chile to Lake Titicaca in Bolivia.  As I wrote in my previous blog about the trip, it's a place I've wanted to see for about as long as I've been interested in photography.  It's a genuinely remote and extreme part of the planet with landscapes that look like they belong on Mars rather than our own green and blue planet.

We flew to Santiago de Chile via Madrid, one of the longest single flights I've ever done.  Not only do you cross the Atlantic Ocean, but also the whole of the south American continent and move from the northern hemisphere to the south.  We flew overnight, arriving in Santiago early in the morning and caught the bus to the centre of the city.  It's always said that Santiago is South America's most European city, and although I can see why people say that, to us it really didn't feel particularly European.  It's incredibly wide streets have all the signs of a city that was built for cars like most of the cities I've seen in both North and South America.  Still, we'd decided to stay for a night, and soon found our room in the Lastarria district.  We spent the afternoon wandering around the city, trying the food and enjoying the atmosphere before having a great meal in the evening.  

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HEADING TO THE ALTIPLANO

On Sunday we're going to the airport to head off on another adventure.  This time we'll be flying to Santiago do Chile, before heading to Calama in northern Chile and then on to San Pedro de Atacama, our base for the beginning of a trip across the Altiplano which will take us all the way to Lake Titicaka

This trip has been on the agenda for a long time now, I can well remember sitting in a bookshop in Brazil after we'd just left the Amazon about 7 years ago, reading the Footprint Guide to Bolivia and trying to find out information on crossing the Altiplano from San Pedro de Atacama to the Salar de Uyuni.  Since then, I've kept returning to the document on my computer with an outline of a dream itinerary for this trip and researched the area a little more, and then finally last summer we took the plunge and decided to make serious plans to actually do it.

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